William Shakespeare

FROM off a hill whose concave womb reworded
A plaintful story from a sistering vale,
My spirits to attend this double voice accorded,
And down I laid to list the sad-tuned tale;
Ere long espied a fickle maid full pale,
Tearing of papers, breaking rings a-twain,
Storming her world with sorrow’s wind and rain.

Upon her head a platted hive of straw,
Which fortified her visage from the sun,
Whereon the thought might think sometime it saw
The carcass

Accuse me thus: that I have scanted all
Wherein I should your great deserts repay,
Forgot upon your dearest love to call,
Whereto all bonds do tie me day by day;
That I have frequent been with unknown minds,
And given to time your own dear-purchased right;
That I have hoisted sail to all the winds
Which should transport me farthest from your sight.

Book both my wilfulness and errors down,
And on just proof surmise, accumulate;
Bring me

Against my love shall be, as I am now,
With Time’s injurious hand crushed and o’erworn;
When hours have drained his blood and filled his brow
With lines and wrinkles; when his youthful morn
Hath travelled on to age’s steepy night,
And all those beauties whereof now he’s king
Are vanishing, or vanished out of sight,
Stealing away the treasure of his spring;
For such a time do I now fortify
Against confounding age’s cruel knife,
That he shall

Against that time, if ever that time come,
When I shall see thee frown on my defects,
When as thy love hath cast his utmost sum,
Called to that audit by advised respects;
Against that time when thou shalt strangely pass,
And scarcely greet me with that sun, thine eye,
When love, converted from the thing it was,
Shall reasons find of settled gravity–
Against that time do I ensconce me here
Within the knowledge of mine own

Ah, wherefore with infection should he live,
And with his presence grace impiety,
That sin by him advantage should achieve,
And lace it self with his society?
Why should false painting imitate his cheek,
And steal dead seeming of his living hue?
Why should poor beauty indirectly seek
Roses of shadow, since his rose is true?
Why should he live, now Nature bankrupt is,
Beggared of blood to blush through lively veins,
For she hath no exchequer now but

Alack, what poverty my Muse brings forth,
That having such a scope to show her pride,
The argument all bare is of more worth
Than when it hath my added praise beside.

O, blame me not if I no more can write!
Look in your glass, and there appears a face
That overgoes my blunt invention quite,
Dulling my lines, and doing me disgrace.

Were it not sinful then striving to mend,
To mar the subject that before

Alas, ’tis true, I have gone here and there,
And made myself a motley to the view,
Gored mine own thoughts, sold cheap what is most dear,
Made old offences of affections new.

Most true it is that I have looked on truth
Askance and strangely.
But, by all above,
These blenches gave my heart another youth,
And worse essays proved thee my best of love.

Now all is done, have what shall have no end,
Mine appetite I

All the world’s a stage,
And all the men and women merely players;
They have their exits and their entrances,
And one man in his time plays many parts,
His acts being seven ages.
At first, the infant,
Mewling and puking in the nurse’s arms.

Then the whining schoolboy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school.
And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress’ eyebrow.
Then a soldier,
Full of

As a decrepit father takes delight
To see his active child do deeds of youth,
So I, made lame by Fortune’s dearest spite,
Take all my comfort of thy worth and truth.

For whether beauty, birth, or wealth, or wit,
Or any of these all, or all, or more,
Entitled in thy parts, do crowned sit,
I make my love engrafted to this store.

So then I am not lame, poor, nor despised,
Whilst that this shadow doth

As an unperfect actor on the stage
Who with his fear is put beside his part,
Or some fierce thing replete with too much rage,
Whose strength’s abundance weakens his own heart,
So I, for fear of trust, forget to say
The perfect ceremony of love’s rite,
And in mine own love’s strength seem to decay,
O’ercharged with burden of mine own love’s might.

O, let my books be then the eloquence
And dumb presagers of my speaking

Hark! hark! the lark at heaven’s gate sings,
And Phoebus ‘gins arise,
His steeds to water at those springs
On chaliced flowers that lies;
And winking Mary-buds begin
To ope their golden eyes:
With everything that pretty bin,
My lady sweet, arise!
Arise, arise!
-William Shakespeare

A woman’s face with Nature’s own hand painted
Hast thou, the master-mistress of my passion;
A woman’s gentle heart, but not acquainted
With shifting change, as is false women’s fashion;
An eye more bright than theirs, less false in rolling,
Gilding the object whereupon it gazeth;
A man in hue, all hues in his controlling,
Which steals men’s eyes and women’s souls amazeth.

And for a woman wert thou first created,
Till Nature, as she wrought thee, fell

Beshrew that heart that makes my heart to groan
For that deep wound it gives my friend and me!
Is’t not enough to torture me alone,
But slave to slavery my sweet’st friend must be?
Me from my self thy cruel eye hath taken,
And my next self thou harder hast engrossed.

Of him, myself, and thee I am forsaken-
A torment thrice threefold thus to be crossed.

Prison my heart in thy steel bosom’s ward,
But then

Betwixt mine eye and heart a league is took,
And each doth good turns now unto the other,
When that mine eye is famished for a look,
Or heart in love with sighs himself doth smother,
With my love’s picture then my eye doth feast
And to the painted banquet bids my heart;
Another time mine eye is my heart’s guest,
And in his thoughts of love doth share a part.

So, either by thy picture or

Be wise as thou art cruel; do not press
My tongue-tied patience with too much disdain,
Lest sorrow lend me words and words express
The manner of my pity-wanting pain.

If I might teach thee wit, better it were,
Though not to love, yet, love, to tell me so,
As testy sick men, when their deaths be near,
No news but health from their physicians know.

For if I should despair, I should grow mad,
And in my

Blow, blow, thou winter wind,
Thou art not so unkind
As man’s ingratitude;
Thy tooth is not so keen
Because thou art not seen,
Although thy breath be rude.

Heigh-ho! sing heigh-ho! unto the green holly:
Most friendship is feigning, most loving mere folly:
Then, heigh-ho! the holly!
This life is most jolly.

Freeze, freeze, thou bitter sky,
Thou dost not bite so nigh
As benefits forgot:
Though thou the waters warp,
Thy sting is not so sharp
As friend remember’d not.

Heigh-ho! sing heigh-ho!

Roses, their sharp spines being gone,
Not royal in their smells alone,
But in their hue;
Maiden pinks, of odour faint,
Daisies smell-less, yet most quaint,
And sweet thyme true;

Primrose, firstborn child of Ver;
Merry springtime’s harbinger,
With her bells dim;
Oxlips in their cradles growing,
Marigolds on death-beds blowing,
Larks’-heels trim;

All dear Nature’s children sweet
Lie ‘fore bride and bridegroom’s feet,
Blessing their sense!
Not an angel of the air,
Bird melodious or bird fair,
Be absent hence!

The crow, the slanderous cuckoo, nor
The

But be contented when that fell arrest
Without all bail shall carry me away;
My life hath in this line some interest,
Which for memorial still with thee shall stay.

When thou reviewest this, thou dost review
The very part was consecrate to thee,
The earth can have but earth, which is his due;
My spirit is thine the better part of me.

So then thou hast but lost the dregs of life,
The prey of worms, my

But do thy worst to steal thy self away,
For term of life thou art assured mine,
And life no longer than thy love will stay,
For it depends upon that love of thine.

Then need I not to fear the worst of wrongs,
When in the least of them my life hath end;
I see a better state to me belongs
Than that, which on thy humour doth depend.

Thou canst not vex me with inconstant

But wherefore do not you a mightier way
Make war upon this bloody tyrant, Time,
And fortify your self in your decay
With means more blessèd than my barren rhyme?
Now stand you on the top of happy hours,
And many maiden gardens yet unset,
With virtuous wish would bear you living flowers,
Much liker than your painted counterfeit:
So should the lines of life that life repair
Which this, Time’s pencil, or my pupil pen
Neither in inward

Canst thou, O cruel, say I love thee not,
When I against my self with thee partake?
Do I not think on thee when I forgot
Am of my self, all tyrant, for thy sake?
Who hateth thee that I do call my friend?
On whom frown’st thou that I do fawn upon?
Nay, if thou lour’st on me, do I not spend
Revenge upon my self with present moan?
What merit do I in my self

O mistress mine, where are you roaming?
O stay and hear! your true-love’s coming
That can sing both high and low;
Trip no further, pretty sweeting,
Journey’s end in lovers’ meeting–
Every wise man’s son doth know.

What is love? ’tis not hereafter;
Present mirth hath present laughter;
What’s to come is still unsure:
In delay there lies no plenty,–
Then come kiss me, Sweet and twenty,
Youth’s a stuff will not endure.
-William Shakespeare