Alfred, Lord Tennyson

But were I loved, as I desire to be,
What is there in the great sphere of the earth,
And range of evil between death and birth,
That I should fear–if I were loved by thee?
All the inner, all the outer world of pain
Clear Love would pierce and cleave, if thou wert mine,
As I have heard that, somewhere

The Lord let the house of a brute to the soul of a man,
And the man said, ‘Am I your debtor?’
And the Lord–‘Not yet; but make it as clean as you can,
And then I will let you a better.’

I.
If my body come from brutes, my soul uncertain or a fable,
Why not bask amid the senses while the sun of morning shines,
I, the finer brute rejoicing in my hounds, and

I.
What am I doing, you say to me, ‘wasting the sweet summer hours’?
Haven’t you eyes? I am dressing the grave of a woman with flowers.

II.
For a woman ruin’d the world, as God’s own scriptures tell,
And a man ruin’d mine, but a woman, God bless her, kept me from Hell.

III.
Love me? O yes, no doubt—how long—till you threw me aside!
Dresses and laces and jewels and never a ring for the

I.

The City Child.

Dainty little maiden, whither would you wander?
Whither from this pretty home, the home where mother dwells?
‘Far and far away,’ said the dainty little maiden,
‘All among the gardens, auriculas, anemones,
Roses and lilies and Canterbury-bells.’

Dainty little maiden, whither would you wander?
Whither from this pretty house, this city-house of ours?
‘Far and far away,’ said the dainty little maiden,
‘All among the meadows, the clover and the clematis,
Daisies and kingcups and honeysuckle-flowers.’

II.

Minnie

Two children in two neighbor villages
Playing mad pranks along the heathy leas;
Two strangers meeting at a festival;
Two lovers whispering by an orchard wall:
Two lives bound fast in one with golden ease;
Two graves grass-green beside a gray church-tower,
Wash’d with still rains and daisy-blossomed;
Two children in one hamlet born and bred:
So runs the round of life from hour to hour.

Where Claribel low-lieth
The breezes pause and die,
Letting the rose-leaves fall:
But the solemn oak-tree sigheth,
Thick-leaved, ambrosial,
With an ancient melody
Of an inward agony,
Where Claribel low-lieth.

At eve the beetle boometh
Athwart the thicket lone:
At noon the wild bee hummeth
About the moss’d headstone:
At midnight the moon cometh,
And looketh down alone.
Her song the lintwhite swelleth,
The clear-voiced mavis dwelleth,
The callow throstle lispeth,
The slumbrous wave outwelleth,
The babbling runnel crispeth,
The hollow grot replieth
Where Claribel low-lieth.

Chains, my good lord: in your raised brows I read
Some wonder at our chamber ornaments.
We brought this iron from our isles of gold.
Does the king know you deign to visit him
Whom once he rose from off his throne to greet
Before his people, like his brother king?
I saw your face that morning in the crowd.
At Barcelona – tho’ you were not then
So bearded. Yes. The city deck’d herself
To meet me,

Come down, O maid, from yonder mountain height:
What pleasure lives in height (the shepherd sang),
In height and cold, the splendour of the hills?
But cease to move so near the Heavens, and cease
To glide a sunbeam by the blasted Pine,
To sit a star upon the sparkling spire;
And come, for Love is of the valley, come,
For Love is of the valley, come thou down
And find him; by the happy threshold, he,
Or

Come into the garden, Maud,
For the black bat, Night, has flown,
Come into the garden, Maud,
I am here at the gate alone;
And the woodbine spices are wafted abroad,
And the musk of the roses blown.

For a breeze of morning moves,
And the planet of Love is on high,
Beginning to faint in the light that she loves
On a bed of daffodil sky,
To faint in the light of the sun she loves,
To faint in

Come not, when I am dead,
To drop thy foolish tears upon my grave,
To trample round my fallen head,
And vex the unhappy dust thou wouldst not save.
There let the wind sweep and the plover cry;
But thou, go by.

Child, if it were thine error or thy crime
I care no longer, being all unblest:
Wed whom thou wilt, but I am sick of Time,
And I desire to rest.
Pass on, weak heart, and leave

What does little birdie say
In her nest at peep of day?
Let me fly, says little birdie,
Mother, let me fly away.
Birdie, rest a little longer,
Till thy little wings are stronger.
So she rests a little longer,
Then she flies away.
–
What does little baby say,
In her bed at peep of day?
Baby says, like little birdie,
Let me rise and fly away.
Baby, sleep a little longer,
Till thy little limbs are stronger.
If she sleeps a little

Sunset and evening star,
And one clear call for me!
And may there be no moaning of the bar,
When I put out to sea,

But such a tide as moving seems asleep,
Too full for sound and foam,
When that which drew from out the boundless deep
Turns again home.

Twilight and evening bell,
And after that the dark!
And may there be no sadness of farewell,
When I embark;

For through from out our bourne of Time and Place
The

Dark house, by which once more I stand
Here in the long unlovely street.
Doors, where my heart was used to beat
So quickly, waiting for a hand.

A hand that can be clasped no more,
Behold me, for I cannot sleep,
And like a guilty thing I creep
At earliest morning to the door.

He is not here; but far away
The noise of life begins again,
And ghastly thro’ the drizzling rain
On the bald street breaks the

The Two Greetings.

I.

Out of the deep, my child, out of the deep,
Where all that was to be, in all that was,
Whirl’d for a million æons thro’ the vast
Waste dawn of multitudinous-eddying light—
Out of the deep, my child, out of the deep,
Thro’ all this changing world of changeless law,
And every phase of ever-heightening life,
And nine long months of antenatal gloom,
With this last moon, this crescent—her dark orb
Touch’d with earth’s light—thou

Dear is the memory of our wedded lives,
And dear the last embraces of our wives
And their warm tears; but all hath suffer’d change;
For surely now our household hearths are cold,
Our sons inherit us, our looks are strange,
And we should come like ghosts to trouble joy.
Or else the island princes over-bold
Have eat our substance, and the minstrel sings
Before them of the ten years’ war in Troy,
And our great deeds, as

Dedication
These to His Memory-since he held them dear,
Perchance as finding there unconsciously
Some image of himself–I dedicate,
I dedicate, I consecrate with tears–
These Idylls.

And indeed He seems to me
Scarce other than my king’s ideal knight,
`Who reverenced his conscience as his king;
Whose glory was, redressing human wrong;
Who spake no slander, no, nor listened to it;
Who loved one only and who clave to her–‘
Her–over all whose realms to their last isle,
Commingled with the

Dead Princess, living Power, if that which lived
True life live on–and if the fatal kiss,
Born of true life and love, divorce thee not
From earthly love and life–if what we call
The spirit flash not all at once from out
This shadow into Substance–then perhaps
The mellow’d murmur of the people’s praise
From thine own State, and all our breadth of realm,
Where Love and Longing dress thy deeds in light,
Ascends to thee; and this

Faint as a climate-changing bird that flies
All night across the darkness, and at dawn
Falls on the threshold of her native land,
And can no more, thou camest, O my child,
Led upward by the God of ghosts and dreams,
Who laid thee at Eleusis, dazed and dumb,
With passing thro’ at once from state to state,
Until I brought thee hither, that the day,
When here thy hands let fall the gather’d flower,
Might break thro’

I.
Is it you, that preach’d in the chapel there looking over the sand?
Follow’d us too that night, and dogg’d us, and drew me to land?

II.
What did I feel that night? You are curious. How should I tell?
Does it matter so much what I felt? You rescued me—yet—was it well
That you came unwish’d for, uncall’d, between me and the deep and my doom,
Three days since, three more dark days of

With farmer Allan at the farm abode
William and Dora. William was his son,
And she his niece. He often look’d at them,
And often thought, ‘I’ll make them man and wife.’
Now Dora felt her uncle’s will in all,
And yearn’d toward William; but the youth, because
He had been always with her in the house,

Thought not of Dora.
Then there came a day
When Allan call’d his son, and said, ‘My son
I married late, but

Tho’ Sin too oft, when smitten by Thy rod,
Rail at ‘Blind Fate’ with many a vain ‘Alas’’
From sin thro’ sorrow into Thee we pass
By that same path our true forefathers trod;
And let not Reason fail me, nor the sod
Draw from my death Thy living flower and grass,
Before I learn that Love, which is, and was
My Father, and my Brother, and my God!
Steel me with patience! soften me with grief!
Let

1. Is it the wind of the dawn that I hear
in the pine overhead?
2. No; but the voice of the deep as it hollows
the cliffs of the land.
1. Is there a voice coming up with the
voice of the deep from the strand,
Once coming up with a Song in the
flush of the glimmering red?
2. Love that is born of the deep coming
up with the sun from the sea.
1. Love that

I.
To-

As when with downcast eyes we muse and brood,
And ebb into a former life, or seem
To lapse far back in some confused dream
To states of mystical similitude,
If one but speaks or hems or stirs his chair,
Ever the wonder waxeth more and more,
So that we say, ‘All this hath been before,
All this hath been, I know not when or where;’
So, friend, when first I look’d upon your face,
Our thought gave

I.

Once more the Heavenly Power
Makes all things new,
And domes the red-plow’d hills
With loving blue;
The blackbirds have their wills,
The throstles too.

II.

Opens a door in heaven;
From skies of glass
A Jacob’s ladder falls
On greening grass,
And o’er the mountain-walls
Young angels pass.

III.

Before them fleets the shower,
And burst the buds,
And shine the level lands,
And flash the floods;
The stars are from their hands
Flung thro’ the woods,

IV.

The woods with living airs
How softly fann’d,
Light airs from where the

Sweet Emma Moreland of yonder town
Met me walking on yonder way;
‘And have you lost your heart?’ she said;
‘And are you married yet, Edward Gray?’

Sweet Emma Moreland spoke to me;
Bitterly weeping I turn’d away:
‘Sweet Emma Moreland, love no more
Can touch the heart of Edward Gray.

‘Ellen Adair she loved me well,
Against her father’s and mother’s will;
To-day I sat for an hour and wept
By Ellen’s grave, on the windy hill.

‘Shy she was,